Anime by Design: Paradise Kiss and the genius of Osamu Kobayashi
In the grainy, flickering photo montage that opens Paradise Kiss (2005), things immediately take a turn for the surreal. Monsters, ghosts, aliens and creepy crawlies of all kinds seem to wander about, their unintelligible grumblings and gurglings fading into ambient noise as people go about their days. They haunt mythical spots in Shibuya: its fashionable backstreets, Harajuku Station, Takeshita Street, Laforet, Omotesando Avenue… Yukari's narration guides us through the unknown world we're stepping into. Her sentimental phrasing paints an alluring picture as the montage transitions to background art. Beyond descriptions of sights, smells and sounds, the choice of verbiage itself is just as evocative. The door leading to the Atelier isn't ‘pink' but ‘Shocking Pink', a nod to Elsa Schiaparelli. The singing pouring out from the underground is ‘hysteric’ and not merely ‘hysterical’, echoing cult fashion brand Hysteric Glamour. Standing at a crossing, Yukari has to dea...